Lytteøvelser

Schubert

• bright – dark – bright/hope – stable

  • D.958
  • mov.2
  • bar 12

• ….

  • D.959
  • mov.2
  • bar 1-2

• round, dark

  • D.960
  • bar 1
  • mov.2

Buene

• wavy beating, sharp character

  • I
  • bar 5

• ①inner conflict
  ②insect-like beating

  • I
  • bar 14

• (“Hidden”)
  If a quartertone is not one of the lower harmonics of a harmonic spectrum, it often stands out, almost aggressively, especially if it is the top note of the chord. However, when this pitch (such as this 5th 16th-note of the bar) has the melodic pitch, but the attack was hidden in a prevoius chord, then it blends more.

  • I
  • bar 15

• Several layers of beatings.

  • I
  • bar 37

• The microtones were more obvious than the “hidden” one.

  • I
  • bar 45

• The quarter-tone high D changes the colour when the bass (and pedal) changes from C# to E.

  • I
  • bar 49

• Fluttering continues until the end of the bar.

  • I
  • bar 62

• Organ

  • I
  • bar 68

• Sharper, colder than the former one (bar 68). I hear the pitches in the sustained (first) chord moving rapidly up and down (as a scale )

  • I
  • bar 71

• (No Microtones) Tonal cluster with rather vibrato-like beatings.

  • I
  • bar 79

test foot note ¹test foot note